Rather, when they work they have that sense of something that belongs in an old EC comic.Īnd that’s what we get here, with a Death Cult operating out of MC-1, working possession ritual from dead Judge’s helmets.īaillie’s script mixes a nice bit of horror alongside the requisite tongue in cheek feel, whilst Morozova’s artwork, last seen in Prog 2128 on a Future Shock, is just gorgeous – spooky yet stunning.ĭEVLIN WAUGH: WHEN I WAS A YOUNG DEMON (I DID A BAD, BAD THING) – Ales Kot, Patrick Goddard, colours by Pippa Bowland, letters by Annie ParkhouseĪnother delicious bit of Devlin, another single issue strip, letting Kot and Goddard really go to town on the character. The thing I enjoy about these Black Museum strips is that they never feel like fill-ins. TALES FROM THE BLACK MUSEUM – THE CACKLE – David Baillie, Anna Morozova, letters by Simon Bowland But I don’t mind that at all, it’s a great few pages in the bigger story and Lynch’s Dredd art, all that great looking, McMahon-ish, angular work. Like I say, it’s one of those little placeholder things, moving on Wyatt and Lynch’s whole Orlok/Red Queen saga along just that little bit more, a tantaliser for something bigger coming down the line. But the problem Dredd has is that the Red Prince (and that thing in his head) is in demand. With the Red Prince in Justice Dept care, it’s time to dig into him, psychically and physically to see just what he’s all about – specifically just what the strange mass is on his brain. It might look like a done in one Dredd, but this one from Wyatt and Lynch is a little interlude in that ongoing saga of Orlok and the Red Prince, last seen in The Red Queen’s Gambit that began in Megazine 409. JUDGE DREDD: GRAND THEFT ROYALE – Arthur Wyatt, Jake Lynch, colours by Jim Boswell, letters by Annie Parkhouse Next issue… the 100-page 30th anniversary issue of the Meg, featuring the return of John Wagner to Dredd and Mike Carroll and John Higgins going back to the early days of the Judges in Dreadnoughts amongst the many delights inside. The lineup this time round gives us a taste of Judge Dredd, more tales from that Black Museum, another bit of debauchery from Devlin Waugh, and the double-sized finale for Lawless‘ latest… Boom Town – but having said that, we do have another Lawson tale next issue anyway. Put on your PPE, grab your mask and sanitiser and get out there to the shops to grab a copy – support your local comic shop! The latest Megazine hits shops and digital on 12 August. Run Rabbit Run premieres on Netflix on J.The Monthly Megazine – doing just what it says, taking you through the latest goings-on in the sister monthly to 2000 AD. McPherson, Daina Reid, Sarah Snook, Jake Carter, and Katie Anderson. EPs are Nate Bolotin, Maxime Cottray, Nick Spicer, and Aram Tertzakian of XYZ Films, Deanne Weir, Olivia Humphrey, Jack Christian, D.J. Producers are Sarah Shaw and Anna McLeish ( Relic, Partisan, Snowtown ). Snook isn’t given much to work with other than to act frantically at every little red flag that Mia’s behavior raises, but she gives a nuanced enough performance to override some of the script’s failures.” Parent viewers might be more empathetic toward Sarah’s plight, but others will find themselves frustrated with nearly every decision Sarah makes whenever Mia acts out. Thurman wrote, “The film offers a solid performance from Snook, who does what she can with some admittedly slim material. In his review, he drew comparisons to Australian horror hit The Babadook and cited Snook’s performance as a highlight. Our own Trace Thurman reviewed Run Rabbit Run out of Sundance. Run Rabbit Run also stars Lily LaTorre, Damon Herriman ( House of Wax, The Nightingale, Once Upon a Time in Hollywood ), and Greta Scacchi ( Darby & Joan, Shepherd ).īefore her breakout performance in HBO’s smash hit “ Succession,” set to make its final bow later this month, star Sarah Snook appeared in a handful of horror films, from Saw VI director Kevin Grueter’s Jessabelle to Predestination and Winchester. In Run Rabbit Run, “Snook plays a fertility doctor who believes firmly in life and death, but after noticing the strange behaviour of her young daughter, must challenge her own values and confront a ghost from her past.”ĭaina Reid (“Shining Girls,” “The Handmaid’s Tale,” “The Outsider”)directed the film, written by Hannah Kent ( The Good People, Devotion ). The streaming service debuted a new trailer for the Australian horror thriller, giving a peek at the psychological unraveling of a mom and her daughter. The children are not okay in Netflix’s upcoming psychological horror movie Run Rabbit Run, starring Sarah Snook (“Succession”).
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